Friday, September 30, 2011

skate or die

Skateboarding tricks and Dictionary and Tutorials

1."180"
Definition: A 180 is when the skateboarder turns the skateboard quickly 180 degrees while in the air, so that when the skater lands the nose is where the tail was, etc.
180 degrees is the increment by which all skateboarding spin tricks are measured, first the 180, then 360, then 520, etc.
When done on the ground, this is called a "revert" and sometimes a "kickturn", though that's technically different. If the board spins 180 degrees but the skater doesn't, that would be a "shuvit". If the trick is done in the air and the skateboarder turns but the board does not, this is called a "varial".
180s are usually done along with other skateboard tricks, combining them all into one complex trick. When referring to these, the "180" part of the trick name goes first, such as a "180 tailgrab".

How To Do:


2. "360"
Definition: A 360 is when a skateboarder and his or her board turns 360 degrees while in the air, so that when the skater lands he or she is still facing thier original direction.
Skateboarding rotational tricks are usualy referred to in increments of 180 degrees - 180, 360, 540, 720, and even 900 (Tony Hawk performed the first 900 in a competition at the X-Games in 2003)
360s are often combined with other skateboard tricks, combining them all into one complex trick. When referring to these, the "360" part of the trick name goes first, such as a "360 method".

How To Do:


3."5-0"
Definition: A 5-0 (Five-Oh) is when the skateboarder grinds with only the back truck. The nose of the skateboard is up in the air a little, making the whole trick look and feel something like a manual.
The 5-O got it's name because it is half of a 50-50 grind (only the back trucks are grinding, instead of both).
"Grinding" is when a skateboarder rides his or her board in such a way where the trucks of the board are making contact with a rail, curb, etc, and not the wheels. A "Slide" is similar, but when the actual board is making the contact, not the wheels or trucks.

How To Do:


4. "50-50"
Definition: A 50-50 grind is when a skateboarder grinds with both trucks. When most skaters grind something, they use both trucks, and so are 50-50ing whatever they are grinding on.
The name 50-50 was first used in skateboarding to describe what is now called a "truckstand". This is where the skateboarder stands on one of his or her trucks and balances on the tail of the skateboard. It was a popular trick back when freestyle skateboarding was more well known, but still shows up with pro skaters like Rodney Mullen.

How To Do:


5." Air"
Definition: To "air" in skateboarding is to get into the air without ollying. Usually, this is done by simply riding off the end of a ramp or jump.Sometimes, skaters will talk about airing things - like airing a gap. This means that they rode their skateboard off of a ramp or anything else and jumped over a gap, without ollying.Air can also be used to refer to how high someone got with a trick, saying that they "got lots of air".

How To Do:


6. Backside"
Definition: Backside refers to rotations or turns done so that the skateboarder's back is facing the outside of the turn arc.The name Backside came originally from surfing, as did a lot of skateboarding's original language. The first skaters were in fact sidewalk surfers.Backside turns are the opposite of frontside turns. Backside is usually put before the name of another trick, such as "Backside 180".

How To Do:


7."Bail"
Definition: Bail can mean a few different things. First, it can refer to a skater landing safely on his or her feet after failing at a trick. It can also mean something along the lines of "chickening out", where a skater gives up on a trick halfway through and lands on his or her feet. Third, it is often used for a crash or failed trick where the skater does not catch his or her feet, and gets hurt - often painfully and / or humorously.Many popular skateboarding videos will have a "bails" section where you get to watch your favorite pros beat the crud out of themselves while falling off their skateboards. In fact, the earlier Tony Hawk Pro Skater video games had "Bails" videos that you could unlock where you could see pros racking themselves on poles, smashing their faces into sidewalks, and tumbling down concrete stairs. Good clean family fun.

How To Do:


8."Caballerial"
Definition: The Caballerial is an aerial skateboarding trick.The Caballerial is basically a backside fakie 360 ollie. Steve Caballero invented and named the trick in 1981. Steve first performed the Caballerial in pools and on ramps, but the trick has evolved quite a bit in the last few decades. Now, skaters perform Caballerials on flatland, and anywhere else they want to!The "Half-cab" is a variation of the Caballerial where the skater spins only 180 degrees instead of the full 360.

How To Do: 


9."Carving"
Definition: Carving is the word used to describe the way people ride boards - skateboards, snowboards and surfboards. While riding a board, the rider leans and cuts into turns, and this is called "Carving".Most skate parks in the US are made with lots of "flow", meaning the concrete smoothly slopes in such a way that skaters can carve a line all over the park easily. The better flow a park has, the better carving the skaters can experience.

 How To Do:


10."Fakie"
Definition: Fakie refers to riding a skateboard backwards from the way you would usually ride it. Usually, while skateboarding, the skater's back foot is on or near the tail of the skateboard. This helps to keep balance. When riding Fakie, the skater has his or her feet set up so that whatever foot is usually the back foot is now up near the nose. Riding a skateboard fakie often gets confused with riding a skateboard switch, as they look similar at a glance.Though the name "Fakie" might sound like the skateboarder is trying to do something weak, tricks done while riding Fakie are a lot harder for most skateboarders.

How To Do: 


11.Frontside
Definition: Frontside refers to rotations or turns done so that the skateboarder's front is facing the outside of the turn arc. The name Frontside came originally from surfing, as did a lot of skateboarding's original language.The opposite of frontside would be backside.Frontside is usually put before the name of another trick, such as "Frontside 360".

How To Do: 


12.Goofy
Definition: Goofy, Goofy Stance or Goofy-Foot refers to a skateboarder, snowboarder, surfer or wakeboarder riding with his or her left foot in back, toward the tail of the board. Goofy stance gets this name because most people put their left foot forward, which is called regular.There is no right or wrong way to stand on a skateboard (or snowboard, surfboard, etc.), but most people feel more comfortable riding a skateboard regular, instead of goofy. Not sure which one you feel most comfortable with?

How To Do: 


13.Grabs
Definition: Any time a board rider reaches down and grabs his or her board, it's called a Grab. Grabs happen in the air, often with a few other tweaks like spins, grabbing certain parts of the board, etc.The Indy grab is one of the most common grabs, where the skater or snowboarder bends his or her knees and reaches down and grabs the edge of the board between his or her feet.When describing grabs, the word Grab is often dropped from the name. For example, performing an Indy grab while spinning 360 degrees frontside is called an Frontside Indy 360.

How To Do: 


14.Grind
Definition: Grinding is the name for sliding along an edge (such as a curb, bench, rail, coping, etc.) using your trucks instead of your wheels or deck. Depending on which trucks are being used (front or back), and what direction you are moving, there are many different types of grinds, such as the 50-50, the 5-O, the Nosegrind, and many others.Make sure not to confuse a grind with a slide. Slide is the name for doing this exact same activity, only using the skateboard deck instead of the trucks.

How To Do:


15.Heel-Edge
Definition: Heel Edge refers to the edge of a skateboard, snowboard or surfboard in front of the rider's heels.When turning on a board, if the rider leans on the heel edge, or "digs in" on the heel edge, the board will turn in the direction of the rider's heels. This is a fundamental truth for all board sports.

How To Do:








16."Heelflip" 
Definition: A technical flip trick where the skater ollies and kicks the skateboard to make it flip underneath him or her. To perform the heelflip a skateboarder ollies and slides his or her front foot to the toe side of the board and kicks the board with the skater's heel. The skateboard flips in the air with the heel side of the skateboard coming up at first. The heelflip is complete when the skateboard flips completely over and back to its original position, and the skateboarder lands on it.The heelflip similar to the kickflip, but with the board spinning in the opposite direction (and it's harder, using the harder to control heel instead of the easier to use toes).

How To Do: 


17.Indy
Definition: Indy describes a specific type of grab, where the skater or snowboarder reaches his or her back hand down and grabs the toe side of the skateboard or snowboard between the rider's feet. The Indy is the most common type of grab in skateboarding and snowboarding.The Indy can be a sticky trick to name - a lot of skaters use the term Indy for any grab where the back hand is holding the board between the toes, but technically, this is only true in snowboarding. In skateboarding, traditionally the term Indy refers to the same grab, but it implies it is backside.

How To Do: 


18.Japan Air
Definition: The Japan Air is a skateboarding grab trick.While airborne, the skateboarder grabs the toe edge of the skateboard between the trucks with his or her front hand. While grabbing the board like this, the skater twists their body so that the chest faces away from the board, and the skateboard is pulled back behind the skater. The free arm is flung out wide. The Japan Air was first named in Transworld Skateboarding Magazine.

How To Do:


19.Kickflip
Definition: A Kickflip is similar to an Ollie, but you flick the board with your foot to make it spin underneath you while in the air. In a clean kickflip, the skater kicks the board with the ball of his or her front foot, the skateboard flips and spins over at least once, and the skateboarder lands on the board comfortably, wheels down, and rides away.The Kickflip can be used in the same places that a skater might usually use an Ollie, making the whole trick harder and cooler.

How To Do: 

20."Switch"
Definition: In skateboarding, Switch refers to riding the opposite direction than usual, in the opposite stance, and making it look normal. For example, a regular-foot skater riding goofy is riding switch, or a goofy-foot skater riding regular is riding switch.If the skateboarder's feet are set for going one way, and he or she ends up riding the other way, that is called "Fakie". It's different, in that the back foot is usualy on the tail, and when riding Fakie it will often be on the nose.When snowboarders rides in the opposite stance, they don't usualy change thier bindings. They keep them set up for whatever stance they usualy use. So, when a snowboarder rides backwards it's called "Switch", even though thier foot placing may be still setup for going the opposite way. Snowboarders don't usualy use the term "Fakie".

How To Do: 



Goodluck for some skate riding!!!!

Wednesday, September 28, 2011

my top 5 vidoes

sandwich-procrastinator
 Lyrics
You gotta run don't walk, it's really late
When you get off the train, meet me at the gate
You gotta push don't shove
Get it out of the way
Don't wait any longer, do it today

[Chorus:]
You can count on me
I'm gonna get it done, get it done
Before the night segues to day
Before the city wakes
Before the rooster shakes
Before the icing hits the cake
We gotta operate

You gotta glide, don't slip
Get your balance right
Ride with the wind, it's a beautiful sight
You gotta skip, don't jump
The little bumps on the way
Don't let it get to you, don't listen to what they say

[Repeat Chorus]

You gotta squeeze, don't pull
Hold that grip steady
You know it's all lining up
You can never be ready
You gotta seek don't hide
Don't sit and wait
'Cause it may pass you by
And it'll be too late

[Repeat Chorus]

Hey hey! [3x]



typecast-phoenix

Lyrics
i'll rise above the clouds
your voice kept me alive
i'll spread my wings and fly
i've returned for you again my love
i've kept all that i've gained
your smile and how your eyes shine
am i strong enough to be with you again?
if im not, i'll stretch my arms to hold you. ..
im ready
hold me tight once more
and slowly
we'll pick up the pieces we lost
the battles i fought
unruly but won gloriously
im your lord knight, i've gained so much
but still i need you here



urbandub-endless,a silent whisper

Lyrics
The night belongs to us
We're caught in a world of our own
We cling to the hope it would change for us
Is it in vain? Is it too late?
Why did it have to be you than I.
I heard the news today.

Is this the beginning of our last dance?
Once around the floor, can we do it again?
I feel the thrill from words we say,
I love you.

Embrace so much tighter
This could be our last together
Heaven sheds tears for the wounded hearts
Our forever has been torn apart

Our vast religions
Won't help us answer
What was pre-destined for us to have
Since long ago.
It's hopeless

The world it turns with us
Hold me in closer, don't let go of me
Now we close our eyes and let go to the night
The night we feel alive.

Is this the beginning of our last dance?
Once around the floor, can we do it again?
I feel the thrill from words we say,
I love you.



kjwan-pintura

Lyrics
Sinong may alam
Kung saan ang daan
Patungo sa kanyang isipan
Sa isang halik niya lang
Ako ay pumupunta
Sa mundo na kanyang pininturahan
Sino ka ba?
Ano ang iyong lihim?
Papaano kita mapapaibig? Mapapasakin?
Lahat ng kulay niya
Sabay-Sabay kumakanta
Tumatawag sa atin
Halina
Nauubos lahat ng galit at sama
At ang mundo
Ay napupuno ng pag asa.



urbandub-frailty

Lyrics
This bottle is bringing me down
No comfort for me in this town
All the faith in these eyes
Lost the glow and just dies
I pray, redeem this heart
And be here now.

In this war
The tears in my eyes says it all
Put all of my faith in you now
When all of the world says
We wont make it through
We'll battle the world.

I feel so alone
The situation's desperate
Until I've found my life again I drown
So save me now
Breathe new life in me

I greet the morning sky
The sun dries tears in my eyes
Awaken this sleeping heart of mine
And be here now

Awaken this heart.

Monday, September 26, 2011

My Top 10 Philippine Rock Bands of All Time

1.Eraserheads

The band is one of the most successful, critically acclaimed, and significant bands in the history of Original Pilipino Music. Eraserheads are also credited for spearheading a second wave of Manila band invasions, paving the way for a host of influential Philippine alternative rock bands.

The band released several singles, albums, and EPs that reached number one. The band achieved critical and commercial success with their third album Cutterpillow, which achieved platinum status several times. Eraserheads received the Viewer's Choice Award for Asia from the MTV Video Music Awards.

receive the coveted "Moon Man" trophy for winning the 1997 MTV Asia Viewer's Choice Award, which made Eraserheads the first ever Filipino artists to win the award.

2. Parokya ni Edgar

They are so cool, all the song that they made relate the filipino's life on how they show their love to their love once.
 Parokya ni Edgar is a Filipino band that was formed in 1993 by a group of college students. The band is famous and most lauded for its original rock novelty songs and often satirical covers of popular songs. The band has since transcended musical genres, varying styles from one song to another - alternative rock to pop rock, funk to rapcore, and so on - while providing comic relief to their listeners. Despite having "Edgar" in the band's name, none of the members go by it.





3.Slapshock

Creates hard music yet with a passion in their lyrics; Jamir has a voice of such a hard rocker and when he sings you can feel him inside your heart. The way he plays each word makes Slapshock distinctive from other bands in the market. Slapshock is a rock band with a heart!

Slapshock is a rock band from Manila, Philippines. Formed in 1996 originally as a rap metal act, significantly being compared with Korn. Their recent material were now under the metalcore genre.

 4.Kamikazee

Their lyrics are very unique and interesting. It is so great, their voices' harmony is perfect. I like it very much!

Kamikazee is a Filipino rock band formed in 2000. The band is composed of Jay Contreras, Jomal Linao, Led Tuyay, Puto Astete and Bords Burdeos.


 
5.Chico Sci

They're filipino but they play music as if they're foreign
i could say that they could beat mcr if only they have the same popularity.

ChicoSci is a 5-piece Filipino rock band based in Manila. The band is composed of Miggy Chavez, Mong Alcaraz, Calde Calderon, Macoy Estacio and Ariel Lumanlan.




6.Queso

  Queso was formed in 1994. High school schoolmates 2ts Calinawan and Enzo Ruidera founded the group. 2ts Calinawan being new to the school, alienated and still feeling out of place in a new environment he found himself in, hanging outside the classrooms, saw this small guy walking by, head up with big crazy hair covering his eyes, folded up black jeans just enough to expose his red chucks, the star logo covered and inked out by an anarchy sign.



7.Greyhoundz

Greyoundz was formed in 1997 by cousins Niño and Audie Avenido who at first just wanting to join a local battle of the bands contest together with other bandmates that includes Allen Cudal. The contest was canceled so they opted to audition at the now defunct Club DREDD that was based in Manila.














8.Imbue no kudos

Hailing from Olongapo City, Philippines, Imbue No Kudos is relatively a band with the drive and passion to bring their music and explosive stage presence to the world. Comprised of some of Olongapo's most talented young musicians, this band has learned how to mix sing-a-long poppy choruses with heavy nail biting breakdowns in a way that is not easily overlooked.There is rock passion, melodic pop skill and joyful, soulful intelligence throughout the band's music, bolstered by driving power and the soaringly smooth voice of Betong Enriquez. Guitarists Earl Santos and Darwin Alcazar weave hard-charging guitars together with fluid hooks overtop the solid rhythm of drummer Jem Velunta and bassist Aj Magsino.. They believe that music should be passionate and thought provoking and original and Imbue No Kudos seek to bring new light and fresh legs to a genre wrought with apathy. 

9.April Morning Skies

Formed in the late 2003, April Morning Skies [AMS] is Andrew Espiritu on vocals, Bernard Olazo on bass, Macoy Estacio on drums, Tim Gonzalez on synths and Aaron Corvera and Kenneth Aranza doing guitar duties.
A product of metal, punk, melodic-post hardcore influences, AMS aims to stir music listeners with their own kind of music. Concocting tales of triumphs and losses stirred in melodies that spark with aggression and punch with enthusiasm. Though a relatively new band, the boys prove they're no neophytes in songwriting. Arming themselves with tracks that shoot precise rhythms, loud guitar-based instrumentation plus vocals that balance punk and metal styles, April Morning Skies is truly a band to look out for.
AMS has consistently wowed crowds all over Luzon and Visayas, earning themselves as a reputation next big thing. And then finally, they hooked up with wiz producer Eric Perlas of Tower of Doom Records to record their debut album entitled “In Darker Days Ahead” that was released last August 8, 2008.
 As of now, the band is doing their share of shows and sharing the stage with prominent and underground acts slowly leaving a remarkable impression to the followers of the scene. 

10. Sandwich

Sandwich is a Filipino rock band that was formed in 1995 by Raimund Marasigan and Diego Castillo for the purpose of fulfilling their mutual desire to work together. Castillo recruited former band mates from The Aga Muhlach Experience Mike Dizon (of The Teeth) to play drums and Myrene Academia (of Imago) to handle bass duties. Sandwich was searching for a vocalist when music video director Marie Jamora recommended her friend Marc Abaya. A few years earlier, Marasigan was a judge at a contest where Marc Abaya jammed to a Beastie Boys song with his high-school band, Shirley Beans. Abaya then joined Sandwich, but was later replaced by Mong Alcaraz of the band Chicosci.

Saturday, September 24, 2011

all about pinoy rock

Pinoy rock, or Filipino rock, is the brand of rock music produced in the Philippines or by Filipinos. It has become as diverse as the rock music genre itself, and bands adopting this style are now further classified under more specific genres or combinations of genres like alternative rock, post-grunge, ethnic, new wave, pop rock, punk rock, funk, reggae, heavy metal and ska. Because these genres are generally considered to fall under the broad rock music category, pinoy rock may be more specifically defined as rock music with Filipino cultural sensibilities.

History
One of the first popular Filipino rock stars was Bobby Gonzales, whose major hit was "Hahabul-Habol." Eddie Mesa, another teen idol from the period, became known as the "Elvis Presley of the Philippines." Back then, many Filipinos referred to Rock bands as "combos," many of which used nontraditional instruments like floor-bass bongos, maracas, and gas tanks.

1960s

In the early 1960s, as electric instruments and new technology became available, instrumental American and British bands like The Shadows and The Ventures flourished. Bands that arose in this period were The Deltas, The Celtics, RJ & the Riots, The Technicolors, The Downbeats, The Hi-Jacks, and The Electromaniacs. These bands spawned the first Filipino singer-songwriters.

In 1963, during the British Invasion bands such as The Beatles rose to mainstream audiences worldwide. Their widespread popularity and their embrace of the counterculture injected the possibility of socio-political lyrics with mature comments on real life into popular music. Immensely influenced by this new breed of British artists, many Filipino bands began adopting similar musical styles.

 1970s

Into the early 1970s, Filipino music was growing more nationalistic and socio-political in nature, as well as using Tagalog more often. Pop music still dominates the airwaves with disco and funk bands such as the Apo Hiking Society and Hotdog. Songs like Hotdog's "Ikaw ang Miss Universe ng Buhay Ko" (You Are The Miss Universe of My Life) combined Filipino and English within the same song. This helped innovate the so-called "Manila Sound". OPM (Original Pilipino Music) also became popular.                                                                                                                 source:http://en.wikipedia.org/wiki/Pinoy_rock

However, emerging social and political consciousness somehow creeped in to the industry with the traditional allied genres that are folk and rock music. Folk musicians and bands included Freddie Aguilar, Asin, Heber Bartolome and Florante. (In 1978, Freddie Aguilar's debut single, "Anak", became the most commercially successful Filipino recording in history. The song became known also in other Asian countries and in Europe). Perhaps Asin, an ethnic-folk band, was the first commercial band to successfully bring a pro-environment song to the airwaves with "Masdan Mo Ang Kapaligiran". Also famous for providing subtle rebellious (anti-Marcos dictatorship sentiment was growing at that time) and peace messages behind its skillful vocal harmonizing, Asin gave the masses hits such as "Bayan Kong Sinilangan (Cotabato)" and "Balita".

Juan de la Cruz Band, a garage and blues-rock influenced group consisting of drummer Joey "Pepe" Smith, bassist Mike Hanopol, and lead guitarist Wally Gonzales, are often credited for ushering in the first "rock & roll revolution" in the Philippines that lasted from the late '60s to the late '70s (also known as the Golden Age of Pinoy Rock). Considered by many[who?] to be the "grandfathers" of Pinoy Rock, they played a large role in re-awakening national pride through their bluesy Tagalog rock songs at a time when the music circulating predominantly in the local scene used lyrics in English. During a Woodstock-esque concert in Luneta Park, the group performed their original "Himig Natin" for the first time.

Being influenced by the counterculture, the bands of the '70s were known to have never been sidelined commercially and sometimes took the center stage by storm. The radio station DZRJ, particularly the AM weekend "Pinoy Rock and Rhythm" show hosted by the ex-Fine Arts student from Philippine Women's University named Dante David, a.k.a. Howlin' Dave, provided the much-needed support and publicity to Pinoy Rock during this era.

Today, many music journalists[who?] refer to the works of these pioneering artists as Classic Pinoy Rock, perhaps to distinguish them from the works of relatively younger Pinoy Rock bands, especially those that emerged in the 1980s through the 1990s.

1980s

In the early up to mid-1980s, Pinoy Rock became the music of Filipino protesters. Gary Granada and the band Buklod had socially relevant lyrics for their songs. Aguilar's Bayan Ko (My Country) became an anthem during the 1986 EDSA Revolution. A subculture rejected this kind of socially-aware lyrics.

The most popular Pinoy Rock band in the Philippines in the '80s was arguably The Dawn, whose early songs were largely influenced by New Wave and Post-punk, the dominant Alternative Music genres in the Philippines during that period. The Dawn came to prominence in 1986, when its independently-released single "Enveloped Ideas" became an instant favorite among listeners of DWXB-FM 102.7, a now-defunct FM radio station popular in the mid-'80s that heavily played New Wave, Post-Punk, and similar genres.

Many music journalists and enthusiasts, as well as musicians themselves, attribute the flourishing in the mid-'80s of New Wave- and Post-Punk-influenced bands to DWXB-FM, which began playing independently-released singles of unsigned local bands. This helped many of the struggling bands in this era to achieve cult status. These bands included Dean's December, Ethnic Faces, Identity Crisis, and Violent Playground, all of which were able to record and release their respective albums in the years that followed.

Other Pinoy Rock groups took their cue from these pioneers and started recording their own songs; and this proved beneficial to the Pinoy Rock scene, which brought back creativity and originality to the awareness of fledgling musicians. Among the lot, The Dawn, Afterimage, and Introvoys proved to be the enduring and more successful groups. Each was able to sustain a relatively long career.

DWXB-FM went off the air on June 9, 1987. The new Cory Aquino-led government began sequestering properties owned by her predecessor Ferdinand Marcos and his cronies, including the home that DWXB-FM beamed from. DWXB-FM was revived as an online radio station on September 10, 2005, by Sutton Records, with the original DJs broadcasting from Manila.

 1990s

During the start of the decade, The Hayp, Introvoys and After Image were among the prominent bands enjoying mainstream recognition. But their collective popularity was later overshadowed by younger bands that eventually emerged. An underground music scene was already burgeoning in some unknown bars in Manila. Red Rocks (which later became Club Dredd), together with Mayric's and Kampo (Yosh in the mid '90s), were the only venues where unsigned bands were allowed to play their own songs. From Power Pop, shoegazer, postpunk, alternative rock (Eraserheads, Color It Red, The Youth, Half Life Half Death, Feet like Fins, Advent Call, Alamid) to hard rock, heavy metal (Razorback, Askals, Wolfgang, Dahong Palay, etc.) to hardcore, punk, and death metal (Skychurch, Genital Grinder, Death After Birth, Kabaong ni Kamatayan, Loads of Motherhood, WUDS, Yano, Bad Omen, Rumblebelly, Disinterment, Deiphago, etc.).

The late 1980s and the early 1990s marked the beginning of what was known as the era of underground rock and progressive music, with NU107.5 playing unknown bands through Francis Brew's "In the Raw". It was through this station that many of the prominent and promising rock bands were discovered (e.g., GreyHoundz, Slapshock, Sugar Free, Fatal Posporos, Itchy Worms, Peryodiko, Monsterbot, Tanya Markova, Pedicab, and many others). NU107.5 was the only radio station that played music longer than the standard radio format would allow, as well as sound tracks (The Reel Score). Apart from allotting air time to new and known foreign rock bands (e.g., Save Ferris, Veruca Salt, Metallica, Audio Slave, Sound Garden, etc.), it gave full exposure to Filipino groups such as Sugar Hiccup, Eraserheads, Imago, Cynthia Alexander, Parokya ni Edgar, Wolfgang, Razorback, Ciudad, Teeth, Urbandub, Putreska, Tropical Depression, Rivermaya, Yano, Siakol, Cheese, etc. Its prestigious NU107 Rock Awards honored the Philippine rock industry's best and brightest for 17 years. These Rock Awardees now rule the local scene.

To add to the plight of the underground bands, radio stations would not play their music due to the payola system in the radio industry despite the fact that most of these bands, if not all, had self-produced (indie) albums. But DWLA 105.9 challenged the current system by providing a venue for the bands to broadcast their original songs. Pinoy Rock enthuthiasts were finally elated to hear their favorite underground bands ruling the airwaves.

Radio station LA 105.9 advocated Filipino rock music, playing original amateur (even if poorly recorded) singles and gave new avenues for emerging bands outside organized underground concerts. Rock n' Rhythm, a local music magazine also supported this scene with news and updates, band interviews, album and concert reviews, carrying on the torch that the defunct Jingle Chordbook and Moptop (popular Philippine rock music magazines during the '70s and '80s, respectively) have entrailed. The band explosion opened avenues for non-traditional artists as well, like Intermidya, for example. Their musical instruments looked like materials from a junk shop glued together and which had names like Sandata#1, Sandata#2, Baby Sandata, etc.

The commercial success of Eraserheads paved the way for more Pinoy Rock acts (Rivermaya, Rizal Underground, The Youth) getting record deals. Some brave all-female bands got signed (Kelt's Cross, Tribal Fish, Agaw Agimat) and a few solo artists as well (Maegan Aguilar, Bayang Barrios, DJ Alvaro). Rappers crossed over with great success (Francis M with Hardware Syndrome and Erectus), despite some earlier controversy with hiphop-bashing allegedly incited by some artists. These bands adopted a variety of influences both in image and music; many fell under a particular genre; however, the crossing over of styles was most often inevitable.

Unfortunately, around 1995, the height of the Pinoy band scene was exploited up to its wits. Bands were guesting almost everywhere from noon-time TV shows and movies to drama sitcoms like Maalaala Mo Kaya. Even the Miss Universe pageant held in the country was not spared.

Although the '90s were more inclined to be about pop rock bands mentioned above, many Filipino rock fans were ardent supporters of the more creative and independent Filipino underground community. Diverse not by name alone, these underground musicians were not easily attracted to mainstream pop sensibilities and grew their own market without the support of corrupt major labels that some critics and artists viewed as responsible for damaging most Filipino music careers.

A big chunk of these bands shared the same ideology of refusing to be exploited. It was only a matter of time when two factors, piracy and technology, brought major labels to reconsider their business dealings. In effect, most underground musicians secured their own spots in the Metal, Gothic rock, Punk and hardcore genres.

2000s

In the early 2000s, Hip hop-, reggae-, acoustic pop/jazz-, and R&B-influenced bands dominated the Philippine music scene, causing Pinoy Rock to take a backseat. Only a number of Pinoy Rock bands managed to stay in the mainstream during this period. In 2003 a not-so-well-known home-educated DJ named DJ RO started playing in a small bar and restaurant known as GWEILOS; DJ RO helped promote the club every Monday night while there was an emergence of Filipino Rock bands like Bamboo, Orange and Lemons and Kitchie Nadal that started performing in Gweilos and eventually became popular. In 2004, Pinoy Rock once again gained prominence, with the rise of yet another wave of Filipino Rock bands. During this time, the Pinoy Rock music scene in Cebu also gained exposure.

2001 saw indie band The Pin-Up Girls, made up of former Keltscross members and underground musicians, signing to Know-It-All Records in Tacoma, Washington, making them the first Manila-based band to sign with an American label. This development caused quite a negative reaction from the Manila rock scene as most musicians deemed the band unworthy of the break.

The Pin-Up Girls released an EP worldwide called "Taste Test" that sold out. Know-It-All then printed a new batch dubbed "Taste Test: The Expanded Menu". The lead-off single "Caress" hit number one on the New Jersey- and Internet-based radio www.flashbackalternatives.com.

2004 also saw the emergence of the first Philippine virtual band, Mistula. With the internet as their stage, Mistula comes alive through their official website, a fusion of music, graphic art, literature, photography and other art forms.

The rest of the 2000s further ushered in the mainstream buzz on Pinoy Rock, and along with it bands that leaned more towards pop sensibilities. During this time, Pinoy Rock, more than ever, gained mainstream exposure. Pogi ("pretty-face") rock was born (with such bands as Hale, Sponge Cola, Callalily and the new, post-Rico Blanco Rivermaya), although an obscure, provincial band that called itself Groupies' Panciteria tried to assert a different political path, releasing in 2009 an mp3 album for free downloading on Soundclick.com after having been inspired by the politics of ultra-independent rock artist Dong Abay; the half-send-up-of- and half-tribute-to-commercial-TV 2005 album by the band Itchyworms called Noontime Show; and the downloadable protest-folk albums of Gary Granada.[1][2]

2006 was when Filipino band, KALA Kāla, appeared in the commercial music scene with their full length album entitled "Manila High" distributed by SonyBMG Music Entertainment. Their first hit was Jeepney which was released summer of 2006. According to the Philippine Daily Inquirer, the band started the resurgence of the Manila Sound genre into the modern world through their own mix of funky jazzy electronic rock music.

The band was also part of the tribute album Hopia Mani Popcorn. They made a funky remake of VST and Co.'s Rock Baby Rock which hit number 1 in the airwaves.

In recent years as well, bands like Urbandub, Pupil Chicosci, Slapshock, Pencil Toe and Typecast have also played in other countries such as Singapore and the US, amongst others. Some have even garnered nominations and recognition from internationally-based publications and award-giving bodies. This is mainly attributed to the effect of the internet and globalization on almost anything including music, as listeners from other countries can now see and hear songs and videos of bands overseas without leaving their country.

 2010s

In mid-2010, NU 107, known as the nation's premier FM station using a rock format, had been taken down as it was sold by its management after a declining interest by the audience. It was reformatted into a Hot AC station named WIN 107.5. This unexpected change marked a dark future on the Pinoy Rock scene.